A flighty fragment concerning Ralph and Jilly and Dr. J

Ralph had one eye on the digital clock that sat under the smudged mirror and the other on Jilly’s vintage Julius Erving poster, this one recording and preserving for all eternity a certain seemingly illogical yet perfectly controlled “tomahawk” style jam, and as he noticed the large red numbers abruptly change to display the numeral one followed by three zeros, the quartet halved by a colon, the time silently taunting him that he was now a full hour tardy for work, his gaze shifted from the clock on the cluttered dresser and the room’s choice of décor to his companion of the hours previous, his focus now fully on the owner and designer of this room, and as he watched Jilly drowsily pull up her socks so that they met the bottom of her kneecaps, he inquired over her possible even probable interest in the game of basketball and stood looking with hidden desire reignited as she cocked her head sideways, shrugged her shoulders laconically and while fumbling for her first morning cigarette and the accompanying primer grey ceramic ashtray she replied that basketball was okay, but the reason for the poster concerned cherished memories of her father, memories of sitting in the cheap seats at Seventy-Sixer’s games all through elementary school and well into her teenaged years, until their shared experience shifted to the sofa in front of the television and eventually culminated in her sitting in a hard backed chair holding his bony chilly hand as they watched from his hospital room, and as these words came tumbling out into the air and mingled with the first exhalations from the freshly lit tobacco, he leaned forward and first kissed her forehead, then kissed her lips, and last exhorted her to call him, reminding Jilly that his number was stored in her phone, and while slowly backing to the door that sat diagonal from Dr. J’s imposing physical presence and announcing with distaste that he was late for work, he said a last goodbye and demanded with what he felt was just the exact amount of urgent sincerity for her to call him, waiting for her to smile and nod, cigarette dangling, and then darted for her front door to engage in a jog that slowly developed into a full sprint down the sidewalks of his hometown to his unpleasant destination, his employment, his desk, the place where he could sit for just a bit and not be bothered while collecting his thoughts, thoughts that were already shifting away from the idea of an impulsive one-night stand and heading toward the possibility of something vague but certainly more substantial, and as he second-guessed himself and obsessed over just what was causing him to change his mind, he gave up looking for specifics and instead just settled on and slowly drank in the image of her socks stretched up to the knees.

Ode to nighttime (typed in the hard light of day)

There is something
About the
Night
A magnetic tug
Or
Seductive allure
That inspires a resistance to
Sleep
And pushes me into
Labyrinthine tangles
Of activity
Mostly mental
Aerobics of the mind
While muscles are neglected
Physicality pushed aside
In favor of
Insight
Searching for that one elusive
Turn of phrase
Digesting sound
Writing it down
Rewinding
Lights out
Jimmy Stewart in a suit
Looking superb in San Francisco
Or
Reading aloud to
Nobody
Words hanging in the
Air
Then disintegrating
Disappearing
Silence defeating them.
Or the ticking of a clock
The movement of my
Watch
Steadily and
Quietly
Reminding that the
Night
Is nearly
Over.
The daytime is fine
Great for
Walks
And
Picnics
But if push
Came
(Comes)
To shove
Well you can have it.
The nighttime
(To use an archaic but worthwhile turn of phrase)
IS WHERE IT’S AT
Like a heavy oversized
Coat
Tried on while still a
Child
Wrapping around
Covering and enveloping
Silently enticing
The body
(The mind)
To grow into it
Saying
You’ll get there one day
And when you do
We’ll take out the hem
Or add some more material
(There’s always more material)
And you can start
All
Over again.

Three haiku

She gives me the keys
Driving to the terminal
We change the subject

Stinking radio
The songs are always the same
No Capt. Beefheart

He meant Marc Bolan
But he said David Bowie
An honest mistake

A little fictive fragment

I wrote this earlier this year. It needs a lot of work before I'm happy with it, but I couldn't resist the temptation to put it up anyway. Just consider it a rough draft that I think has some good moments.





He just looks like a man standing by a lamppost, but inside he's struggling with the fact that his work leaves him empty, his children are floundering and growing ever more distant, and his wife has grown to hate him. But on this day by the post, all his anguish is directed into the knowledge that the anonymous female cashier in the cafeteria at his work died in her sleep. That woman was essentially the only bright spot at his job; her smile, her dignity, her hands as they did their work, her choice of reading material placed defiantly by the register as if to announce to all comers that she was more than a cashier, more than a drone whose station in life was to handle businessmen's money. They were the kind of books he always wanted to read if he'd ever just slow down and find the time. And now she's gone. So he takes the rest of the day off from work and walks around the city with his thoughts, his memories, his reactions to events, his struggle with the slow build of oppressiveness that life has become for him, and his growing feeling that something has to change. Will it? Ah, ambiguity. Maybe he'll make a cell phone call to his secretary to arrange for flowers for the cashier's funeral. And maybe the story will end with him walking into a used bookstore, some boho side shop that silently screams that it's barely surviving in the current capitalist climate. He'll look around, shelves and stacks of books surrounding him and the splendid aroma of printed matter, age, and neglectful housekeeping mingling together and sending his thoughts racing and rebounding in so many different directions, similar to a pinball rattling around in its machine. He met his wife in a bookstore. The boxes of his daughters books in the basement, boxes that she periodically, with slowly lessening conviction, promises to come home and retrieve. Maybe he'll rent a car, pack them in it, and take them to her. The guy slouching behind the desk, indifferently waiting to possibly maybe take his money reminds him of his son. His son, who wears his emotions on his sleeve, who finds it necessary to argue and shout about injustice at the dinner table, a dinner table where he's been absent for two years. Amazingly, he finds a copy of some book, possibly Camus or Kundera or one of the many magic realists from Latin America, that is the exact same paperback edition, though more tattered from the complex circuitry of previous owners, as the last book he noticed the cashier reading, just the previous week when he bought a bagel with cream cheese that he really didn't want. What he really wanted was to siphon a little energy, some inspiration, some transformative something or other from that red-haired woman in the throes of graceful middle-age on a particularly rotten day at his place of employment. Impulsively, he grabs the book and buys it. $4.50. He pulls out a five. Unlike so many of his colleagues whose actions degrade those who are less fortunate then them, he waits for his change. There is a strangeness to the transaction, the young man confused by the old man, this old man in a suit buying not a Grisham novel for a flight or one of Oprah's picks as a modest gift, but a book that was ripe, that was dripping with the messiness and unresolved constancy of life, a book that draws its inspiration from the reality that life's questions often go unanswered, and that in the struggle and sadness and stressfulness of existence, there is often great beauty. The man waits for his change, silently wishing that this suit of clothes were back in his closet at home, actually preferring to be half naked in the shop instead of in this ensemble of material, clothes that seemed to him to become more suspect every time he sent them to the dry cleaners. And then, quickly, he's out the door, surrounded by street noises, soles of his shoes slapping the sidewalk with just a touch more briskness in his stride than he'd displayed in years. A book in his hand, eyes straight ahead, gazing down the long city street to the vanishing point. Is it overly transcendental of me to say that we are all that man standing by the lamppost? No more than it's overly existential of me to say that this man's struggle isn't over, not by a long shot, not over until he takes his last breath at the end of a life that hopefully can provide him with some sense of closure as the darkness appears and the energy starts to drain from his body. This is life, reality, and what I think is the makings of a good story.